c***@ttu.edu
2010-01-01 01:47:05 UTC
Hi all,
Yes, I'm still alive, and in the process of reading the Weissman bio,
which is apparently being well received in Europe. While I
congratulate Weissman for finishing this book, which he started
researching many years ago, I am not entirelyf enthusiastic about some
of his arguments. He does offer some intriguing and plausible
suggestions about Hannah's ambition and her attempt to advance herself
through her relationships with men, but I am not sure why Weissman
thinks it is so important to argue that her mental breakdown was
caused by syphillis. This is of course possible, but if she indeed
returned to England in 1885 both recently infected with syphillis and
pregnant with her first son Sydney, as Weissman argues, then why
wasn't Sydney born with congenital syphillis, since the disease is
highly contagious during the early stages? Weissman claims that women
infected with syphillis do not necessarily pass it on to their
children, but that is true mainly during the latency period following
stages 1 and 2.
Syphillis was commonplace among artists in the nineteenth century, so
it would not be surprising if Hannah conttracted it, but what
difference does this make to our understanding of Cha[lin's life and
films? The fact that Chaplin took precautions against STD. or that
Calvero suspected that Terry might have contracted syphillis, hardly
need to be explained by Hannah's supposed case of it. We don't need to
theorize that Shakespeare's mother had syphillis in order to account
for the many references to the "French fisease" in his plays.
Since one doctor did diagnose Hannah with syphillis, this fact can
reasonably be included in a biography, but I don't see it having the
importance Weissman seems to attach to it.
Connie K.
Yes, I'm still alive, and in the process of reading the Weissman bio,
which is apparently being well received in Europe. While I
congratulate Weissman for finishing this book, which he started
researching many years ago, I am not entirelyf enthusiastic about some
of his arguments. He does offer some intriguing and plausible
suggestions about Hannah's ambition and her attempt to advance herself
through her relationships with men, but I am not sure why Weissman
thinks it is so important to argue that her mental breakdown was
caused by syphillis. This is of course possible, but if she indeed
returned to England in 1885 both recently infected with syphillis and
pregnant with her first son Sydney, as Weissman argues, then why
wasn't Sydney born with congenital syphillis, since the disease is
highly contagious during the early stages? Weissman claims that women
infected with syphillis do not necessarily pass it on to their
children, but that is true mainly during the latency period following
stages 1 and 2.
Syphillis was commonplace among artists in the nineteenth century, so
it would not be surprising if Hannah conttracted it, but what
difference does this make to our understanding of Cha[lin's life and
films? The fact that Chaplin took precautions against STD. or that
Calvero suspected that Terry might have contracted syphillis, hardly
need to be explained by Hannah's supposed case of it. We don't need to
theorize that Shakespeare's mother had syphillis in order to account
for the many references to the "French fisease" in his plays.
Since one doctor did diagnose Hannah with syphillis, this fact can
reasonably be included in a biography, but I don't see it having the
importance Weissman seems to attach to it.
Connie K.