A few tidbits to throw out there (feel free to throw them right back
at me)---
1. The Heritage auction house auctioned off a first-edition copy of
Chaplin's MY TRIP ABROAD, autographed by Chaplin himself in 1922 with
the inscription, "From the author (as the saying goes)," which makes
me wonder if the book may not have been completely ghostwritten after
all.
2. Heritage also auctioned off an original copy of the contract that
Chaplin executed when he presented THE PILGRIM to First National, very
early in 1923. It went into a lot of detail: it officially released
him from his First National obligations, and specified that he was to
receive $125,000 for it (he'd received a $125,000 advance back in 1917
as well) and that he was also entitled to 50% of the film's grosses
from the American and Canadian markets.
3. In Esther Ralston's autobiography, she writes that one of her
earliest film jobs was playing an angel in THE KID, but that she was
unhappy to discover later that her scene had been edited out of the
finished product. She would've been 17 or 18 at the time. And of
course another angel in THE KID, Lita Grey, was even younger,
suggesting that Chaplin's vision of heaven was populated by teenage
girls. Make of that what you will, although in fairness my own vision
of heaven is populated by lingerie models.
4. Speaking of Lita Grey, I got to see her Vitaphone musical two-
reeler SEASONED GREETINGS. I was impressed with her singing, but her
voice was startlingly husky, and that took some getting used to, but
overall it's a good little film. Sammy Davis Jr. (age five or so)
appears in it.
5. Recalling that our comrade in arms George Shelps was ailing at last
report, I sent him an e-mail two or three weeks ago, asking after his
health. No word. I hope he's still with us, and doing well. But
wherever he might be, I think he'd be pleased to know that I can't
really imagine voting for another Democrat.
--Shush--