Bruce Calvert
2008-10-16 19:09:41 UTC
http://www.publishersweekly.com/article/CA6604015.html?industryid=47159
Nonfiction Reviews
Chaplin: A Life Stephen Weissman. Arcade, $27.99 (320p) ISBN
978-1-55970-892-0
Weissman, professor at the Washington School of Psychiatry, examines
Charlie Chaplin's life and work from a psychoanalytical perspective.
Believing in “using a life to read a film and a film to read a life,”
Weissman focuses on Chaplin's childhood and early career, giving scant
attention to his later adult life. Most telling is the relationship
with his mother. Her madness, brought on by starvation and syphilis,
Weissman believes, manifests itself in Chaplin's films with a
recurring theme: the rescue of a downtrodden female. For example, City
Lights is a “childhood rescue fantasy” of saving his parents, while
Limelight is filled with references to his alcoholic father. Weissman
uncovers the source for the “shabby gentility” of the Little Tramp, as
well as the development of that extraordinary character. En route, he
paints an engaging if narrowly focused portrait of how a cinema artist
is created and how he practices his craft. (Jan.)
--
Bruce Calvert
Visit the Silent Film Still Archive
http://www.silentfilmstillarchive.com
Nonfiction Reviews
Chaplin: A Life Stephen Weissman. Arcade, $27.99 (320p) ISBN
978-1-55970-892-0
Weissman, professor at the Washington School of Psychiatry, examines
Charlie Chaplin's life and work from a psychoanalytical perspective.
Believing in “using a life to read a film and a film to read a life,”
Weissman focuses on Chaplin's childhood and early career, giving scant
attention to his later adult life. Most telling is the relationship
with his mother. Her madness, brought on by starvation and syphilis,
Weissman believes, manifests itself in Chaplin's films with a
recurring theme: the rescue of a downtrodden female. For example, City
Lights is a “childhood rescue fantasy” of saving his parents, while
Limelight is filled with references to his alcoholic father. Weissman
uncovers the source for the “shabby gentility” of the Little Tramp, as
well as the development of that extraordinary character. En route, he
paints an engaging if narrowly focused portrait of how a cinema artist
is created and how he practices his craft. (Jan.)
--
Bruce Calvert
Visit the Silent Film Still Archive
http://www.silentfilmstillarchive.com